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Blue Yeti USB Microphone and Recording Kit (Blackout)

BH #BLPQ3CUSBMCR (B&H Kit)
Blue Yeti USB Microphone and Recording Kit (Blackout)
Key Features
  • Yeti USB Microphone
  • SRH240A Around-Ear Stereo Headphones
  • RF-CPB-18 Reflection Filter
  • TT-6110-BL Desktop Microphone Stand
The blackout Blue Yeti USB Microphone and Recording Kit from B&H includes the multi-pattern Blue Yeti USB microphone, Shure SRH240A around-ear stereo headphones, an Auray RF-CPB-18 reflection filter, an Auray TT-6110-BL desktop microphone stand, an Auray PFSS-55 pop filter with gooseneck, a USB cable, a mic stand, and a 1/4" adapter. This kit can be used to capture and monitor audio in 16-bit/48 kHz resolution when paired with a Mac or Windows computer system (sold separately).
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Blue Yeti Overview

  • 1Description
  • 2Blue Yeti USB Microphone (Blackout)
  • 3Shure SRH240A Closed-Back Over-Ear Headphones (New Packaging)
  • 4Auray RF-CPB-18 Reflection Filter (Plastic)
  • 5Auray TT-6110-BL Desktop Microphone Stand (Black)
  • 6Auray PFSS-55 Pop Filter with Gooseneck with Springloaded Clamp (5.5" Pop Filter and 13.5" Gooseneck)

The blackout Blue Yeti USB Microphone and Recording Kit from B&H includes the multi-pattern Blue Yeti USB microphone, Shure SRH240A around-ear stereo headphones, an Auray RF-CPB-18 reflection filter, an Auray TT-6110-BL desktop microphone stand, an Auray PFSS-55 pop filter with gooseneck, a USB cable, a mic stand, and a 1/4" adapter. This kit can be used to capture and monitor audio in 16-bit/48 kHz resolution when paired with a Mac or Windows computer system (sold separately).

Blue Yeti USB Microphone (Blackout)

A simple, yet powerfully effective tool for content creators, the Blue Microphones Yeti is a USB mic offering a broadcast-quality sound, a rugged design, and multiple recording modes to suit your needs. The Yeti, offfered here in a blackout finish, has become a go-to mic for people who record podcasts, and who stream on YouTube, Twitch, Facebook Live, and other similar platforms.

The multiple mic modes allow virtually any kind of content creator to do their thing with precision and ease. Use the cardioid setting to reject off-axis noise, minimizing room tone even when speaking directly into the mic. If you're recording with one other guest, select the Bidirectional polar pattern; now, you can speak into the front, while the guest speaks into the back, and the sides of the mic will reject unwanted room noise. Choose omnidirectional to pickup audio all around the capsule, which is great for work that features multiple voices. Finally, a stereo mode is wonderful for ASMR content or for recording music. A desktop stand and a USB cable are included, as is a suite of VO!CE software FX to improve your sound.

Fits Your Needs

This mic is perfect for recording directly to computers, be they mac or windows systems. With the right, separately available adapters, you can also record with Android and iOS devices.

All the Control You Need, Built Right In

Yeti features controls for headphone volume, pattern selection, instant mute and microphone gain—putting you in charge of every level of the recording process. If you're experiencing distortion or feedback while recording an especially loud source, simply adjust the microphone's sensitivity with the gain control. Or, if you want to take a break in the middle of a podcast, use the instant mute button. Also, the included stand allows for pivoting in a variety of angles for ideal placement, with the added functionality of folding the mic down for storage and transport.

3.5mm Headphone Jack with Latency-Free Monitoring

The mic has an integrated headphone amp with an independent gain control for latency-free monitoring. Simply plug your headphones into the mic's 3.5mm input, and you'll hear your broadcast-quality audio in all its glory.

Broadcast-Quality Digital Capture

The mic records audio at 16-bit / 48 kHz, giving you the broadcast standard for media playback. On the audio side, the tri-capsule design ensures that whatever mode you choose, the mic will pick up a clear and present sound.

Simple to Set Up

Just plug the Yeti into your computer's USB port with the included USB cable, select it as a device in your recording software, and you're ready to get to work. The Yeti runs off your device's power, so no need to plug it into a wall. With driver-free operation, you won't have to download pesky software to get it up and running.

VO!CE Software Included

Blue VO!CE software is included, giving you an array of high-quality vocal filters, FX, and samples to showcase your voice in the best light. You'll find the following FX on hand:

  • High-pass filter
  • Noise reduction filter
  • Expander/gate 
  • De-esser
  • Voice EQ
  • Compression
  • Limiter

 

 

UPC: 836213001257

Shure SRH240A Closed-Back Over-Ear Headphones (New Packaging)

The Shure SRH240A are closed-back, over-ear headphones offering high-quality audio reproduction for general listening in a lightweight and comfortable design. Large 40mm neodymium dynamic drivers provide clear, detailed sound with a wide frequency response while the closed-back earcup design helps block out ambient noise.

The re-engineered construction features thick over-ear cushions and an adjustable headband that deliver long-lasting comfort, allowing you to listen for hours without fatigue. The earpads can be easily replaced to keep the headphones comfortable for years to come. The oxygen-free copper cable offers plenty of slack and has a gold-plated 3.5mm TRS plug and a 1/4" adapter for wide compatibility with consumer and professional audio gear.

Note:
Please note, this pair of Shure SRH240A headphones is sold in the new packaging. That is the only difference between this item and the other Shure SRH240A headphones presented on this site.
Lightweight and durable construction withstands the rigors of day-to-day use
Large 40mm neodymium dynamic drivers provide full bass, clear mids, and crisp treble for pleasing general listening
Closed-back, circumaural design helps block out ambient noise so you can focus on your music instead of your environment
Re-engineered headband and earcup construction for a more ergonomic, comfortable fit
The impedance, power handling, and sensitivity are calibrated for optimum performance with a variety of sound sources
Straight cable design provides plenty of slack while the oxygen-free copper construction provides a clear signal path
Gold-plated 3.5mm TRS stereo mini plug and threaded 1/4" adapter provide wide compatibility with consumer and professional audio devices
Replaceable earpads ensure long product life
UPC: 042406656535

Auray RF-CPB-18 Reflection Filter (Plastic)

Designed to help create clean vocal recordings in less-than-ideal recording environments, the plastic RF-CPB-18 Reflection Filter from Auray absorbs and diffuses external noise and room reflections. It can be used in any recording scenario that requires microphone isolation, such as tracking in an acoustically untreated room, untreated rehearsal spaces, project and home studios, and professional studios where additional isolation is needed.

The filter features high-density, open-cell acoustic foam wrapped in an ABS plastic curved screen. Its front sliding bracket and rear adjustment rail easily allows you to adjust its height and depth for precise microphone placement. Thanks to its standard 5/8"-27 threaded adapters, the RF-CPB-18 is compatible with most microphone stands, clips, and shockmounts. It is also ideal for desktop recording and broadcast applications when used with a desktop mic stand that features a weighted metal base (not included). The lightweight, 3-pound body lends to portability while its ABS construction assures its durability.

Compact solution for providing sound isolation for vocal or voice over recording in untreated spaces
High-density open-cell acoustic foam minimizes room ambiance and diffuses external noise to isolate your microphone
Curved shield design ensures dry and clean vocal and voiceover tracks while attenuating external noise
The sliding bracket and adjustable height rail ensures microphone placement for optimal performance
Adapters with industry-standard 5/8"-27 threaded studs and sockets are compatible with mic stands, shock mounts, and mic clips with a 5/8"-27 post
The durable ABS plastic shield is rigid and lightweight, and with all the mounting hardware only weighs 3 lbs
UPC: 847628580305

Auray TT-6110-BL Desktop Microphone Stand (Black)

The black TT-6110-BL Desktop Microphone Stand from Auray features a round-cast metal base and has a fixed 5.5" height. It can be used for podcasting, voice-overs, video conferencing, and other home- or project-studio applications.

With five non-slip rubber feet to ensure that the stand doesn't move or shift on smooth or polished surfaces, the desktop microphone stand is designed with a thicker shaft to support heavier condenser microphones. Built with a 5/8"-27 threaded mount, it is compatible with most shockmounts and microphone clips.

Compact

The compact mic stand is ideal for tabletop audio applications such as podcasts, voice-overs, and video conferences—this mic stand is small enough to take with you to remote locations and easily fits into a gear bag or briefcase

Standard 5/8"-27 Mount

The microphone mount features a 5/8"-27 thread, which is compatible with most microphone clips and shockmounts

Fixed-Height Shaft

At a fixed height of 5.5", the mic shaft is the ideal height for desktop applications, and is suitable to support heavy, studio condenser microphones

Weighted Base and Non-Slip Rubber Feet

Built for stability, the round-cast metal base provides steadiness for a microphone and shockmount, and the five non-slip rubber feet ensure the mic stand won't move, even when placed on smooth, highly-polished surfaces
UPC: 847628598409

Auray PFSS-55 Pop Filter with Gooseneck with Springloaded Clamp (5.5" Pop Filter and 13.5" Gooseneck)

The Auray PFSS-55 Pop Filter with Gooseneck with Springloaded Clamp (5.5" Pop Filter and 13.5" Gooseneck) features double-layered nylon to greatly reduce noise from aspirated plosives like p and b sounds. The PFSS-55's double-layered nylon filter gently disperses the explosive rush of air from speaking and breathing, while protecting your microphone from corrosive moisture.

The flexible gooseneck makes it easy to position the filter exactly where you need it, the spring-loaded, clothes-pin clamp provides fast and easy mounting to both stands and desktops. The locking bolt holds the PFSS-55 firmly into place. These features make the PFSS-55 Pop Filter ideal for desktops and also compatible with microphone stands.

UPC: 847628569249

Blue Yeti USB Microphone (Blackout) Specs

Microphone
Primary ApplicationsPodcast
Form FactorDesktop / Stand/Boom Mount
Intended Sound SourcesVocals
Sound FieldMono, Stereo
Diaphragm0.55" / 14 mm
Polar PatternCardioid, Figure-8, Omnidirectional
Pattern SelectionSwitched
OrientationSide Address
High-Pass FilterYes
On-Board ControlsHeadphone Volume
Performance
Frequency Range20 Hz to 20 kHz
Maximum SPL120 dB SPL
THD0.5%
Connectivity
Output Connectors (Digital)1 x USB (Type Unspecified)
Headphone Connector1 x 1/8" / 3.5 mm
Digital Audio
A/D Conversion16-Bit
Sample Rate48 kHz
Operating System SupportWindows, macOS/OS X
RAM Requirement64 MB Minimum
Available PortUSB (Interface Unspecified)
Power
Bus PowerUSB
Operating VoltageNot Specified by Manufacturer
Physical
Mounting5/8"-27 Female (via Integrated Hardware)
Desktop Stand (with Included Hardware)
Dimensionsø: 4.72 x W: 4.92 x L: 11.61" / ø: 11.99 x W: 12.5 x L: 29.49 cm
Weight2.2 lb / 1 kg
Packaging Info
Package Weight3.7 lb
Box Dimensions (LxWxH)10.2 x 6.35 x 4.9"

Shure SRH240A Closed-Back Over-Ear Headphones (New Packaging) Specs

Headphone
Earpiece DesignOver-Ear (Circumaural), Closed-Back
Earpiece SwivelNo
Earpiece Connection / Wearing StyleHeadband
FoldableNo
Driver TypeDynamic
Driver Size1.6" / 40 mm
Magnet TypeNeodymium
Impedance38 Ohms
Active Noise CancellationNo
Performance
Frequency Response20 Hz to 20 kHz
Sensitivity107 dB/mW
Maximum Power Handling500 mW
Wired Connectivity
Audio Connector to Source1 x 1/8" / 3.5 mm TRS Male
Connector PlatingGold, Nickel
Adapter (Included)1/4" TRS
Cable DesignY-Type, Straight
Audio Connector to EarpieceHard-Wired
Cable Length6.6' / 2 m
Cable ColorBlack
Cable Conductor MaterialOxygen-Free Copper
Physical
ColorBlack
Water ResistanceNone
Weight0.5 lb / 238 g
Packaging Info
Package Weight1.505 lb
Box Dimensions (LxWxH)9.85 x 8.8 x 4.65"

Auray RF-CPB-18 Reflection Filter (Plastic) Specs

Filter TypeReflection Filter
Adjustable Height11.4 to 17.5" / 29.00 to 44.5 cm
Filter MaterialAcrylic
Dimensions19.3 x 11.4 x 7.1" / 49.0 x 29.0 x 18.0 cm
Weight3 lb / 1.4 kg (with Mount)
Packaging Info
Package Weight4.5 lb
Box Dimensions (LxWxH)19 x 14 x 8"

Auray TT-6110-BL Desktop Microphone Stand (Black) Specs

Stand
Height5.5" / 14.0 cm
Base TypeRound
Base Dimensions6" / 15.2 cm
General
Mounting Thread5/8"-27 Male
MaterialMetal, Steel
FinishBlack
Weight2.1 lb / 1.0 kg
Packaging Info
Package Weight2.785 lb
Box Dimensions (LxWxH)7.3 x 7.15 x 1.8"

Auray PFSS-55 Pop Filter with Gooseneck with Springloaded Clamp (5.5" Pop Filter and 13.5" Gooseneck) Specs

Filter TypePop Filter
Filter Size5.5" / 139.7 mm Diameter
Attachment StyleNone
Filter MaterialNylon
Length13.5" / 342.9 mm (Gooseneck)
Packaging Info
Package Weight0.69 lb
Box Dimensions (LxWxH)14.4 x 6.95 x 2.4"
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YOUR RECENTLY VIEWED ITEMS

how can i connect a usb yeti to an evo4?

how can i connect a usb yeti to an evo4?
Asked by: Steven
There's not much reason to use a USB mic to an audio interface since the USB mic already has an A/D converter inside it, which is the primary role of the audio interface. You should be just fine plugging it into your computer. If you prefer the preamp sound of your evo, you should buy an analog mic instead. You'll probably end up getting more bang for your buck too
Answered by: Seb
Date published: 2020-09-05

question

What's the recommended configuration of the mic? There's no shock mount included, and with the Yeti attached to the reflection filter, there isn't enough room for cables.
Asked by: Ben Z.
The Yeti shockmount (BLRADIUSIIBO) can be used on a mic stand. It allows room for the cable.
Answered by: Andrea O.
Date published: 2018-08-26

Where can I get it fixed in Hong Kong if I buy ...

Where can I get it fixed in Hong Kong if I buy the warranty?
Asked by: Chun Kit
If purchasing the SquareTrade warranty for protection on the mic, you would want to contact SquareTrade directly so they can recommend the closest repair center to you. Here is their contact info: (877) 927-7268.
Answered by: Daniel
Date published: 2020-07-27

question

Will this microphone work with a Zoom H4n?
Asked by: Bryan W.
Yes it will. Connect via the included XLR cable.
Answered by: Mark S.
Date published: 2018-08-28

Could it be used with Zoom -teaching virtual ...

Could it be used with Zoom -teaching virtual fitness classes while plug it to a Mac lab top? I will use music background from other sources as well. Thanks.
Asked by: Leorna
You can, however this microphone is effective up to about 3 feet or so from the subject. Please give us a call at 800-606-6969 and a Pro Audio specialist will be happy to help you find the perfect solution.
Answered by: John
Date published: 2020-07-06

Will this connect to MacBook Pro USB-C via this ...

Will this connect to MacBook Pro USB-C via this adapter? https://www.bhphotovideo.com/c/product/1128928-REG/apple_mj1m2am_a_usb_c_to_usb_adapter.html
Asked by: Erik
Yes the Apple adapter will allow you to use a USB-A device with a USB-C machine.
Answered by: James Cruz
Date published: 2021-08-23

What type of USB connection does the Yeti use? My ...

What type of USB connection does the Yeti use? My 16 inch Mac has a USB-C connection. Will I need to get a doodle to connect the Yeti to my mac that only has UBS-c inputs?
Asked by: James
it uses a normal USB-A Port, so yes you will need a Dongle for it.
Answered by: Bader
Date published: 2020-11-17

question

WHAT THE DIFFERENCE BETWEEN 16 BIT AND 24 BIT?
Asked by: Anonymous
24-bit audio offers more digital information which translates to a higher resolution signal and recording. In other words, depending upon the signal being recorded, the final results should sound better.
Answered by: Mark S.
Date published: 2021-01-01
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